導語：玩偶之家是一本著名的我姑名著，他給我們講述了一個，嚴格的現(xiàn)實主義風格也為人稱道。劇中沒有傳奇式的男女英雄，沒有引人入勝的離奇情節(jié)，沒有優(yōu)美的詩的語言，表現(xiàn)的是起居之類日常的背后，作者卻創(chuàng)造了一個極不平常的藝術境界。，你肯定有很多話想要說吧，把它記錄下，來編寫成英語范文吧!歡迎閱讀，僅供參考，更多相關的知識，請關注CNFLA學習網(wǎng)的欄目!

　　玩偶之家讀后感：

　　Everyone must be independent of the quest of the meaning of life, pursuing the true "self". The doll's house, Nora is an unremitting pursuit of self. She is very intelligent, mature, emotional and delicate, she has a strong ability in life and decision-making ability. She knows how to get along better with RuanKe doctor, know how to communicate between friends, can put the house in apple-pie order, but is the children spent in front of her husband haier alum, appear too affectation: eating almond cookies, content with her husband called "little fool", this is also her clever, Nora know appropriate lovely will let husband likes a woman, that is to say, she also knows how to maintain the affection between husband and wife, even though she knew she was just a "clay doll".

　　Nora is smart, so her departure is inevitable. Nora knew from the start in the heart of haier mau is what kind of person, but she always love him, love is willing to sacrifice for him, so she blamed himself spent eight years, but she is too overestimated the value of yourself as a wife. With haier mau exposed his selfish, hypocritical mask, he before-and-after different colours, let Nora awake, the spirit of freedom to thrive, Nora decisive action, be she abandoned his wife and mother's responsibility and obligation, abandoned all the past, left the home, find the real self.

　　That left the deepest impression is in the book of haier said shigeru "youth crime secretly can be traced back to almost every one is lying mother". I also want to and Nora also ask "why do you only say mother?" When the Norwegian women's liberation period, women were struggling, as a bourgeois humanitarian pioneer, henrik Ibsen with women in the work of Nora, issued the "universal declaration of human rights" of bourgeois women: "I really don't know what religion is. Now I only believe, first of all, I am a man." This man is a woman.

　　In the book of the law of the country also has carried on the criticism: "my father got sick dying, the law of the country is not allowed to give his daughter to him. Her husband got sick dying, no wife tried his life. I don't believe in the world have this kind of unreasonable law." I think this is also the author tried to express ideas.

　　參考翻譯：

　　每個人都必須獨立的探求人生意義，追尋最真實的“自我”�！锻媾贾�家》中娜拉就是一個不懈追求自我的人物。她其實很聰明，她思想成熟，情感豐富而細膩，在生活中她有很強的辦事能力與決斷能力。她懂得如何跟阮克醫(yī)生更好的相處，知道跟朋友之間如何交流，會把家里收拾得井井有條，但就是在丈夫海爾茂面前兒童化了，顯得過于做作：偷吃杏仁餅干，滿足于被丈夫稱為“小傻瓜”，這也是她聰明的體現(xiàn)，娜拉知道一個女人適當?shù)目蓯蹠�讓丈夫喜歡，也就是說她也懂得如何維護夫妻之間的感情，即使她知道自己只不過是個“泥娃娃”。

　　娜拉是聰明的，所以她的出走也是必然的。從一開始娜拉就知道在海爾茂的心中是什么樣的人，只是她一直愛他，愛到愿意為他犧牲，所以她委屈自己渡過了八年，但她太高估了自己作為一個妻子的'價值所在。隨著海爾茂暴露出他自私、偽善的面具，他事前事后不一樣的嘴臉，讓娜拉清醒了，自由的精神茁壯生長，娜拉果斷的付出行動，她拋棄了做妻子和做母親的責任和義務，拋棄了過去的一切，離開了這個家，找到了真正的自我。

　　書中印象最深刻的還是海爾茂說的“年輕人犯罪的暗自差不多都可以追溯到是撒謊的母親身上”。我也想和娜拉同樣問一句“為什么你只說母親?”時值挪威婦女解放時期，婦女們舉步維艱，作為一名資產(chǎn)階級人道主義先驅，亨利克·易卜生借助作品中女人公娜拉之口，發(fā)出了資產(chǎn)階級女性的“人權宣言”：“我真不知道宗教是什么�，F(xiàn)在我只信，首先我是一個人。”這個人是女人。

　　書中也對國家的法律進行了批判：“父親得病快死了，國家的法律不許女兒給他生煩惱。丈夫得病快死了，不許老婆想法子就他的性命。我不相信世界上有這種不講理的法律。”我想這也是作者內心極力表達的想法。